Yann Beauvais Movies

This film places side by side the mirrored image of an installation/performance, by the artist Miles McKane. Rather than documenting the piece, the...

Mainly sketches of different places crossed: the United States, Versailles and Paris. The film ends with a sculpture by Miles McKane.

Trailer for the XV Janela Festival in Recife. A nod to a few films from the history of experimental cinema that may have gone off the rails.

Filmed in August 1997, in the New South Wales, then left to decay for several years in other tropical climates, before being scanned and finally...

Amoroso takes up the question of memory concomitant with the filmed diary. A memory of Rome, a memory of Tivoli but also a memory of Kenneth Anger's...

A trip to Riga and Moscow in the fall of 90. Confrontation between the reality of the places and a cinematographic memory of some of these same...

Study of the Mont Sainte Victoire.

A short trip to Buffalo in order to show some of my works, invited by Paul Sharits.

VO/ID juxtaposes two separate texts, one in French and the other in English. The texts question art and experimental cinema, the role of the market...

This film is a series of shot or found sequences (about, of cities that I frequent) which, in the editing, display a fluidity and continuity eluding...

Result of a slow decomposition of 16mm prints of QUATR'UN in Recife. One set was scanned frame by frame and cropped to include the perforations....

An activist piece dealing with the Palestinians' right to exist. Gaza, March-April 2018.

“Reading Rimbaud today means to relate his experiences, his desires, to ours – it means that we see a strong connection between his quest...

A found footage film about the war. A film which inscribed his refusal of the manipulation of the media coverage of the last holy war of the American...

Film boundaries explore the garden geometry of the royal paths at Versailles, wandering among gilded statues and dry fountains. Nostalgia for bygone...

This film considers the subject of HIV and AIDS from a variety of different viewpoints. On the one hand using textual material in both English and...

“How should we describe a work such as TU, SEMPRE by Yann Beauvais? Visually, it consists of roughly 40 minutes of videotext in movement and...